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Understanding 9/11tv Taini sledstviya-9 RUSSIA1 April 25, 2024 2:55am-3:41am MSK
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tukhmanov, david lvovich, just kidding, pshenichny sergey, won’t they look for you at home? bordnik, in fact, has three famous films, such three bright films known to the general audience, this is certainly true, the meeting place cannot be changed there, this is relatives and this is a mirror for the hero, when in his presence they said a mirror for the hero, he directly brightened, one thing i can say tarishchyukin firmly, the chinese people will win and build a bright future,
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brilliant, absolutely, that i am him, first of all, i cannot compare him with anyone, koltakov is like the wind, a rose, like a tree, energetically elusive internal movement, some kind of pulsation, 2:12 i’m waiting. in his
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large country house, closed from everyone, to play on stage, and then go to his place, and you don’t need anyone, except rare guests, he knew how to receive guests with special cordiality, here are the koltaks among the icons, so luxurious, so otherworldly, some kind of count, but he was preparing for this visit and he generally tried to impress, he made an impression, he prepared everything, there was georgian cuisine, god knows that he was great this... did, he made pickles, jams, he had some dogs there, a cat named kitty, so he lived there, shoveled snow, sometimes going out on some filming, well, that was his element, he wandered people, hack, run, ivan bortnik burst into this film with such excitement that from the first scenes he outplayed the sublime and sedate sergei koltakov, they came off, and i went to my people, he’s coming, hello, i say, how are you, ivan bortnik, she’s amazing...
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responsibility for work, rehearsals, and seryozha koltakov, he’s just a little bit, just a little bit he was imposing before we, well , where can i say, well, we’re also filming there, remember, the meeting on the elbe, upset me a little, because he’s an actor with an incredible range, let’s go, from comedic to tragic, he’s wonderful such an actor, wonderful, underplayed.
3:00 am
this was his conclusion and he absolutely turned on a different speed. the material of the painting required a scrupulous reproduction of the bygone post-war era. of course, these are costumes, interior items, precise details, so that no one can accuse that the past is shown somehow not right. and you will notice that in the whole picture there is no lie in anything. everything is real, everything is true, everything is very precise, everything is very precise with sorrow, and with attention, with regret. and most importantly, of course, with endless love.
3:01 am
i didn’t write an epigraph, but in general this film is dedicated to my parents, i even asked the actors to dress, i brought photographs, there the actor is dressed like my dad and mom dressed, that’s when she’s pregnant, natasha akimova is standing, that’s what my mom did , so i asked for a cardigan dress, there it is
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stockings there, well, so that all this, even in detail, for me it was important , this kinship, well, speaking to my parents and their generation, i am an american spy.
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so my character is the same, exchange his forehead, he never lied, he was open, with slogans, hello, boris galkin lost his father 2 years before filming, the film gave him the opportunity to talk a little more, about the most important thing, because it used to be there is no time for talking about all the most reasonable, conscious things.
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years later, and after hundreds of kilometers of insurmountable distances, he is in barnaul was born and raised, but as he told me that these were some kind of settlements, in some basement they lived with their parents, that he still remembers them with pity, i think that for him in this picture i also had a conversation with my father, he left early, entered getis in moscow...
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through the music of different generations, if the voice in your phone is cold, i can understand and i can forgive, it occupies a very large place in this film, the songs are the most, the most various folk songs, ukrainian songs, oh my galyu hallyu, and that means, hello, the country is huge, such pathetic songs and pompilos started, because after meeting his father he finds himself in this goodby america, when it means he’s coming, that is, such a sharp transition to modern times to young people,
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sverdlovsk rock helped out club. there are currently 26 amateur art groups operating in the gorky palace of culture, most of which are attended by young people and girls.
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so to speak, to declare their devotion to the music of the group led zeppelin, in antithesis instead of
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derezhelya chose a submarine, well then it was widely known, he got it wrong, this damn thing is called nautinus, but i don’t know, but somehow it was some kind of little thing, when ilya karmeitsev joined us, what a great erudite he was. he said that in the british encyclopedic dictionary, it means that you will come back like this, which used juulvern for the name of a submarine, sounds in latin in its entirety, like nautilus pompilius, when the filming of these musicians was going on, they mostly knew their own, when the picture came out, these songs would have...
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was a great rarity, just like the film group from sergei aleksandrovich solovyov in the film astno. that is, people went precisely to see, so to speak, their favorites on the screen. will break the shovel. the film by vladimir khatinenko absorbed this magic of talking about matters that had not yet happened, but were already felt and lived in the air. when was donbass restored? in forty-three. one cannot help but feel the new drama looming from the future. dull landscapes of a mining village in the donbass, from where a son wants to take his father to a dacha near moscow, where it will be more convenient for everyone, when you watch it, it’s filled with new meanings, it’s not old at all, that is , some films can’t stand it, hands on some heads - these are the years that have passed,
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but it’s unbearable to watch them, sometimes these are even the greatest classics of the picture. i looked at the mirror for the hero, it’s even scary, because what’s happening today, it’s there , it’s like an embryo from which a lot has grown, this is still such a legal gift of the artist, do you think there will be a war with america, in what sense, but no, it won’t, you’ll notice that in the film there is not even a moment of some kind of edification, no, there are only field points that he... pays attention to, what day is it today, and 9, monday, the main character of the film is born on may 9, and may 9 is victory day, maybe because of this the hero has the delusion that his life, like his birthday, they have no meaning for history, that’s how i was born in forty-nine, no, they have, history proves him the opposite, in such
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a fantastic way, through a time paradox, my valuable ones, look at the past, look at the present, this is our life, every movement of a person, every fate, every behavior is endless value for history, this is exactly what it will be, this is how our life will be in the future, this is what it is, a mirror for the hero, he hurt his hand, do you have it?
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i had no doubt, this is a sign from the universe that they are about to receive a new batch of film, filming will continue, it happened, and about the director knew the ending, at the right moment, the film will definitely have an ending, cinematic, precise, powerful, carefully,
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i know that we will arrive now, the group will gather, look at me, ask what we are going to film, vladimir ivanovich, he’s literally already become hungry donetsk, it was already getting dark, the sun was setting, and i just saw this ending, it ’s not like i was sitting in my office inventing it, well , the subconscious is doing its job, that’s another question, fanaticism, and i just saw it when the group arrived at the hotel, i told them not satisfied.
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when the film was being made, unanswered questions were asked at every step: how can we develop russia, why does our country have such a fate and a special path? and what is homeland to you? sound? the homeland is in danger, and you are stupid? it seems to me, no, it doesn’t matter where i will never be, the key word, maybe even
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space, because one sixth of the land, it would seem, because there is also a paradox, for what, what is it for, then this is the ark, it is for me i like this, that this is an ark on which maybe, then everyone will be saved, hurray, oh-oh, hurray, in order to laugh at the hip, cinema is also a time loop, the main characters of the picture are no longer alive, and we we see their faces, we hear their voices, thirty-two-year-old sergei koltakov and forty-eight-year-old ivan bortnik, they move from one time to another, stay with us and take us into their worlds, after the premiere of the film, the audience did not want to leave the cinema halls, they wanted the story to continue. the story of any film is always begins with some kind of impulse, not always
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directly related to the content of the picture. in the early sixties , the leader of the cuban revolution, fidel castro, came to sverdlovsk. during the trip, his motorcade almost collided with a drunken sewer truck driver on kobyla. the commanders twisted his ankle. for city residents, the visit of the legendary cuban became unforgettable, epochal, for both adults and children. this is what vladimir khotinenko wanted to make a film about. how does a person find himself at a significant moment in history, become emotionally attached to that time and events. so this is a test, a test, you know? can we make at least one day the way it should be? the idea subsequently changed, but we can still
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confidently say that the idea of the film, a mirror for the hero, originates from that day, may 13, 1963, when fidel castro found himself in sverdlovsk, who would have thought where i would not be. never hear a song that i will remember forever, allow yourself a first-class holiday with leo reorts. elegant details, a celebration of refined tastes, a variety of entertainment,
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golden beach and lazu. liu researts, we are here for you. we invite you to the swissotel sharmel sheikh, the first swissotel in the world operating on an all-inclusive system. treat yourself to a holiday where elegance and natural beauty merge in perfect harmony. will remain forever in the heart. swissotel charmel sheikh is your ideal place in the heart of the city. news on the culture tv channel, in the gor
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bedulya studio. hello! achievements for the year. five cultural development centers in the regions were put into operation. a meeting of the final board was held in moscow ministry of culture of russia. loaf for the front. and he will hand it over to the doctors of donbass. the linkom theater donated a vehicle for the sanitary and medical service to the north military district zone. and you see the star. and schools were named after them. artists of the chekhov moscow art theater performed at the vostochny cosmodrome. the return of film masterpieces. for the first time in the world, we scanned the original negative, which was preserved in the archive of film and photo documents. diga vertov's films were shown at the moscow international film festival. reconstruction of museums and theaters in the regions, construction of modern libraries, support for the film industry. at
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the ministry of culture. the results of the work for 2023 and drew up an action plan for the current year, how the national project of culture is being implemented was discussed at a meeting of the departmental board chaired by olga lyubimova. over the past 5 years, the national culture project has helped equip almost 5,300 institutions with modern equipment. deputy prime minister tatyana golikova spoke about this via video link at a meeting of the board of the relevant department. in 2023, 230 models will be opened.
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municipal and regional theaters, but not less than new walls, professionalism and responsiveness are important, therefore in the twenty-fifth year in russia they will launch the zemsky cultural worker program, a specialist who moves to work in a village or small town will be able to receive a one-time payment of a million rubles so that the program works without failures, for collegiums are discussing the nuances that need to be resolved before its launch, among them the following problem: in some regions, villages are part of an urban district, colleagues from sevastopol asked to take into account... points that are administratively part of the cities: moscow, st. petersburg, sevastopol, get rid of the age limit, and it seems to me that it would be very useful if we consolidated these positions, talked about the pushkin card since 2019, more than 9.600 thousand people took part in the program , and the numbers are constantly growing. another important project for the country is theaters in small towns. we are talking about settlements with less than 300,000 inhabitants. there, funds are being invested in
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strengthening the material and technical base. theaters are increasingly coming to small stages capital artists. we used to have more and more tours there, as they say, somewhere abroad, but now we have started to go a lot in different cities. we summed up the results in the film industry in the twenty-third year , with the financial support of the ministry of culture , 251 films were put into production, including 74 animated ones, and the box office receipts of already released domestic films. exceeded 28 billion rubles. more and more guests in museums, and if 5 years ago 60% of visitors represented organized groups of tourists, now 2/3 of those who came to the museum are those who comes one at a time or in families. with a promet camera, i regularly watch, these are individual tourists, these are people who do not go to see the main masterpieces, who go and see what they like, these are people who come in pairs, these are people who come with children, some visitors are indignant,
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why children sit on... but we put these visitors in their place. another topic is the preservation of architectural monuments. restoration work has been active throughout the country throughout the year; 200 cultural heritage sites have been restored. linkom together with public the youth patriotic organization heritage transferred a vehicle and humanitarian aid to the special military operation zone. the support of svo participants has already become a tradition for the theater. report by olga eneva. uaz-3741 in naroda loaf will be transferred to the disposal of sanitary and medical services. people's artist of russia andrei leonov will take her to the special military operation zone. i asked personally. evgenievich, he is a wonderful driver, in addition to being a wonderful actor, he will drive this car himself, drive it and hand it over to the donbass doctors so that they can have it useful at the front, in the near future the
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car will be loaded with medicines, food, personal hygiene products, but first the loaf will be equipped, this car will be filled with humanitarian aid, and it will be further equipped, and we are already...
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a large-scale event for the vostochny cosmodrome, tsolkovsky, in the hall there are more than 500 people, because here you can meet twice the heroes of the soviet union, the heroes of the russian federation every day, you don’t meet people’s artists of the russian federation every month, not even every year. the creative evening was preceded by a long preparation, agree on the stage layout and venue. before the performance, the guests were given a tour
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of the east, the scale and technical equipment of the new cosmodrome admittedly impressed, we must wait and we will wait for the moment when there will be a launch of a manned spacecraft, the theme of space, especially since... with the film camera of avant-garde director diga vertov. cinema vet nikolai zvulov claims that a wide audience has not yet seen this version. what's new in the classic film in stanislav anisimov's material.
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the premiere was delayed for almost 100 years, so you can call this show of a man with a dzigivertov movie camera. for the first time, viewers have the opportunity to see the author’s version of the film, and not just one of the versions. for the first time in the world, we scanned the original negative. which was preserved in the archive of film and photo documents, we restored the original music track, compiled specifically for the premiere of the film and authorized by degovertov, finally we are inserting the original film for the first time . nikolai izvolov calls this version of the film mystical, because the complete the version of the classic film differs from the known copies in authorship; according to the director’s idea, the material of the film was shot not by him, but by a certain film voice, this becomes clear after viewing the original negative.
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can you imagine, now in april of twenty -four it is exactly 95 years since the film was released, it premiered in april of twenty -nine in moscow, since then it has not lost, on the contrary, it is gaining its audience, such in the history of world cinema i don’t know any more. original version of man with the movie camera is not the first time nikolai izvolov has addressed the legacy of diga vertov; before that , viewers got acquainted with the anniversary films. history of the civil war, they were restored in accordance with the documents remaining in the archives, and in the process of working on them, nikolai izvolov described the return of vertov in a documentary. what was added, was it improved, or were some corrections made, that's why i decided to just make a documentary in which there are three short stories, each of the short stories is dedicated to the story of what we show pictures, what exactly was done, what it looked like, how it became, why it was done this way, it may not be a masterpiece of art, but it is an honest one.
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1978, when the choreographer showed a dance that was later called eifman's multi-genre psychological theater. he brought literary masterpieces to the ballet stage, told the stories of negin, moliere, pygmalion, anna karenina in the language of dance. this evening, fragments of iconic ballets will be performed on the kremovskaya stage. what will it be?
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in fact, i love holoconcerts precisely because that you can be completely different, a girl, a woman in love, and i don’t know, a vamp, well, that is, this image of the queen of spades. eifman brought moscow not only the theater, but students, those same universal dancers who are trained by his academy according to a special program, in which there are many new disciplines. modern dance, like classical expressiveness, like gymnastics, which we have about... it is the art of ballet that helps today to reach a person, live emotions born on stage are told in body language. the choreographer continues the theme of dostoevsky,
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now working on his most non-ballet novel of the crime of punishment. for elfman, as for the dancers, this is a challenge. this process of searching for new opportunities for the implementation of this huge, deep philosophy of dostoevsky, it seems to enrich both me and ballet theaters in general, i think, today. the gala concert in the kremlin became another recognition for the eifman theater. thereby giving birth to inspiration, when the delight of the public gives new strength and energy to create. elena varoshilova, andrey tarasenko, culture news. on this our release is complete, that's all. hello, see you later.
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come on quickly, you're doing your homework now. you will learn how to dress, fasten buttons, tie shoelaces, it was you who painted your nails, but i painted my nails, i could still paint 125 nails, now we’ll come and you’ll justify yourself to olga viktorovna, you’ll say, olga viktorovna, we’re late, because of me , i got it, i got it, come on, quickly, come in, the parents have collected everything, put everything down.
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so guys, let's go in, get ready, get some leaves, yes you have everything, i know, come on, come on, come on, come on, quickly, who it’s lying there, who, who is there, some uncle, what uncle, guys, what did i tell you, what did you see there, he’s bleeding, oh, what about
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the teacher? hello, impressionists of the wanderers, hello, oh, how we have a still life, with, uh, oops, the death of the sitter, almost like visconti, yes, well, what killed him, but a pyramid, a pyramid, stone, it seems, the teacher says, that she was standing on this table, yeah, but it’s not a teacher, but
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